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No Country For Old Men [Blu-ray]


No Country For Old Men [Blu-ray]



Acclaimed filmmakers Joel and Ethan Coen deliver their most gripping and ambitious film yet in this sizzling and supercharged action- thriller. When a man stumbles on a bloody crime scene, a pickup truck loaded with heroin, and two million dollars in irresistible cash, his decision to take the money sets off an unstoppable chain reaction of violence. Not even west Texas law can contain it. Based on the novel by Pulitzer Prize-winning author Cormac McCarthy, and featuring an acclaimed cast led by Tommy Lee Jones, this gritty game of cat and mouse will take you to the edge of your seat and beyond right up to its heart-stopping final act.

The Coen brothers make their finest thriller since Fargo with a restrained adaptation of Cormac McCarthy's novel. Not that there aren't moments of intense violence, but No Country for Old Men is their quietest, most existential film yet. In this modern-day Western, Llewelyn Moss (Josh Brolin) is a Vietnam vet who could use a break. One morning while hunting antelope, he spies several trucks surrounded by dead bodies (both human and canine). In examining the site, he finds a case filled with $2 million. Moss takes it with him, tells his wife (Kelly Macdonald) he's going away for awhile, and hits the road until he can determine his next move. On the way from El Paso to Mexico, he discovers he's being followed by ex-special ops agent Chigurh (an eerily calm Javier Bardem). Chigurh's weapon of choice is a cattle gun, and he uses it on everyone who gets in his way--or loses a coin toss (as far as he's concerned, bad luck is grounds for death). Just as Sheriff Bell (Tommy Lee Jones), a World War II vet, is on Moss's trail, Chigurh's former colleague, Wells (Woody Harrelson), is on his. For most of the movie, Moss remains one step ahead of his nemesis. Both men are clever and resourceful--except Moss has a conscience, Chigurh does not (he is, as McCarthy puts it, "a prophet of destruction"). At times, the film plays like an old horror movie, with Chigurh as its lumbering Frankenstein monster. Like the taciturn terminator, No Country for Old Men doesn't move quickly, but the tension never dissipates. This minimalist masterwork represents Joel and Ethan Coen and their entire cast, particularly Brolin and Jones, at the peak of their powers. --Kathleen C. Fennessy










84% (11)





UNHCR News Story: Going where other people don't go: UNHCR reaches out in Ecuador




UNHCR News Story: Going where other people don't go: UNHCR reaches out in Ecuador





Sonia skilfully and sympathetically dealt with a barrage of questions from the refugees about their very real concerns.
UNHCR/ L.Dobbs / July 2010

Going where other people don't go: UNHCR reaches out in Ecuador


PROVIDENCIA, Ecuador, December 16 (UNHCR) – In a recent address at Oxford University, UN High Commissioner for Refugees Antonio Guterres warned once again about the diminishing space in which displaced people can find shelter and humanitarian workers help them.

But in places like northern Ecuador and neighbouring Colombia, UNHCR staff members are finding a way to reach out to the most vulnerable, isolated and needy. "We go where other people don't go," said one senior UNHCR official, adding: "It's a way of keeping the humanitarian space open, and this is vital."

During a trip to Colombia and Ecuador's Sucumbios province, I found out what this colleague meant during a journey deep into the rainforest on Ecuador's border with Colombia's volatile Putumayo department, one of the country's main coca-growing areas and a stronghold for criminal gangs and illegal armed groups.

Three years ago, UNHCR staff came across a community of Afro-Colombian refugees who had been living close to the San Miguel River for almost two decades without the knowledge of Ecuador's civilian authorities. We have been visiting them ever since and I was headed to their settlement, Providencia.

Sonia, a UN Volunteer working in UNHCR's office in the frontier-like oil town of Lago Agrio, was my guide. We set off just before dawn in a four-wheel drive on a track that our driver, Darwin (named after the paleontologist who will always be linked to Ecuador's Galapagos Islands), knew well from countless field trips.

After driving for two hours along a slippery mud track cut through the thick forest, we reached the riverside hamlet of Baranca Bermeja, where an Ecuadorean activist for local rights had been murdered just a few weeks before. On a bluff overlooking the San Miguel River, the mist-topped trees on the Colombian side stretched away westwards to the foothills of the Andes.

We scrambled down to the river, where a pirogue and two experienced boatmen awaited us. We wore UNHCR visibility items; t-shirts, caps and lightweight waterproof ponchos to protect against the rain. A big UNHCR flag fluttered from the stern of the boat. This was to let everyone we passed know exactly who we were – essential in an insecure zone.

Then we headed upriver into, for me, the unknown. I thought of Joseph Conrad's "Heart of Darkness" as I anxiously scoured the forest, pressing in on either side of the ribbon of water separating the two countries. I felt an air of menace.

We had to stop two or three times to push the canoe through shallow water and I was sweltering under the morning sun when we pulled over to a pebbly beach after more than two hours. A 15-minute walk through the sucking mud and the forest in our wellington boots – everyone wears them here – brought us to a clearing and the village of Providencia.

A man wearing a stetson and jeans, an evil-looking machete swinging at his waist, came over and escorted us past wooden stilt houses with corrugated iron roofs to the settlement's solid brick classroom, built by UNHCR and its partners and equipped with simple desks, blackboards, maps and books. The whole village of 22 families had turned up for the event of the day.

They all seemed happy to see Sonia, who skilfully and sympathetically dealt with a barrage of questions about their very real concerns. These included issues such as land ownership, health care, transport costs and other serious issues.

Maria, the 50-year-old village matriarch, came here 17 years ago to escape violence in Colombia's Narino department. "There were no houses, nothing.

I arrived with my husband and the children and we made a shelter with leaves," she said. Other relatives followed and "now there are around 22 families."

For years, the villagers would cross the river when it was low to take their children to school or to visit the doctor in Colombia. "The first authority that came here was UNHCR," Maria recalled. And we were followed by government institutions, protection through registration as refugees, and assistance. "We work closely with the municipality [of Lago Agrio] and try to create a kind of legal status for communities [like Providencia] that don't exist [legally]," Sonia told me.

"We are grateful because people are coming and we are receiving aid," Maria said. That aid includes state-appointed teachers, water collection tanks and agricultural programmes. These help to make conditions a little easier, but life is still tough.

Alfredo Ordonez Rodrigo, 28, works in fields carved out of the forest and its acidic earth to provide for his partner and two children. "I use my machete and an axe in the fields, growing yucca [a root vegetable], maiz











The Hannah Montana Storm is raining down




The Hannah Montana Storm is raining down





i finally went to see no country for old men a couple weeks ago (a
miiiiighty fine movie) and was astounded as i walked down the hall of
the movie theatre dozens of little clones with hannah montana shirts, jean skirts and
3-d shades were flooding the bathroom and the door outside of the hannah montana miley cyrus disney movie

ok, i don't consider myself old or unhip, but i also do not watch the disney channel. so like, what in the heck? how does a blonde/brunette double character take the minds of little girls in a year? amazing, that disney.

so i told one of our features guys we should cover the craze while it's in town
and he was game
i spotted this cardboard hannah (or is it miley when the blonde wig's
on?) at the ticket counter on the way in...

little did i realize how incredibly hard it is to take photos in a daaaaaark movie theater.









no country for old men t shirt








no country for old men t shirt




No Country for Old Men






UPC:786936746754
DESCRIPTION: Acclaimed filmmakers Joel and Ethan Coen deliver their most gripping and ambitious film yet in this sizzling and supercharged action-thriller. When a man stumbles on a bloody crime scene, a pickup truck loaded with heroin, and two million dollars in irresistible cash, his decision to take the money sets off an unstoppable chain reaction of violence. Not even west Texas law can contain it. Based on the novel by Pulitzer Prize-winning author Cormac McCarthy, and featuring an acclaimed cast led by Tommy Lee Jones, this gritty game of cat and mouse will take you to the edge of your seat and beyond right up to its heart-stopping final act.

The Coen brothers make their finest thriller since Fargo with a restrained adaptation of Cormac McCarthy's novel. Not that there aren't moments of intense violence, but No Country for Old Men is their quietest, most existential film yet. In this modern-day Western, Llewelyn Moss (Josh Brolin) is a Vietnam vet who could use a break. One morning while hunting antelope, he spies several trucks surrounded by dead bodies (both human and canine). In examining the site, he finds a case filled with $2 million. Moss takes it with him, tells his wife (Kelly Macdonald) he's going away for awhile, and hits the road until he can determine his next move. On the way from El Paso to Mexico, he discovers he's being followed by ex-special ops agent Chigurh (an eerily calm Javier Bardem). Chigurh's weapon of choice is a cattle gun, and he uses it on everyone who gets in his way--or loses a coin toss (as far as he's concerned, bad luck is grounds for death). Just as Sheriff Bell (Tommy Lee Jones), a World War II vet, is on Moss's trail, Chigurh's former colleague, Wells (Woody Harrelson), is on his. For most of the movie, Moss remains one step ahead of his nemesis. Both men are clever and resourceful--except Moss has a conscience, Chigurh does not (he is, as McCarthy puts it, "a prophet of destruction"). At times, the film plays like an old horror movie, with Chigurh as its lumbering Frankenstein monster. Like the taciturn terminator, No Country for Old Men doesn't move quickly, but the tension never dissipates. This minimalist masterwork represents Joel and Ethan Coen and their entire cast, particularly Brolin and Jones, at the peak of their powers. --Kathleen C. Fennessy










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